• How it all began

    Festival frauenkomponiert 2018

Probe zum

Agnes Tyrrell: Ouvertüre aus dem Oratorium «Die Könige in Israel», c-Moll (ca. 1880), UA
Heidi Baader-Nobs: Evasion (2017), für Solobratsche und Orchester, UA
Alma Deutscher: Violinkonzert Nr. 1 (2014/2015), CH-EA
Amy Beach: Symphonie in e-Moll für grosses Orchester, op. 32 «Gaelic» (1896)

Violine: Alma Deutscher
Bratsche: Mariana Doughty
Orchester: L’anima giusta
Konzertmeister: Jiří Nĕmeček
Dirigentin: Jessica Horsley

8. März 2018
Kirche St. Peter, Zürich

© Susanna Drescher 2018

    Jessica Horsley (initiator and conductor)
    Where did the idea for the project come from?

    In 2013, somewhere between Prokofiev’s 5th Symphony and Beethoven’s 6th, I thought to myself that it would be nice to conduct something written by a woman. Whether there was any repertoire? (That an internationally-trained musician didn’t know the answer to this question is certainly telling!) I started digging, made some amazing discoveries, and launched the project frauenkomponiert.

    We aim to:

    give a voice to women composers and recognition to their work(s)
    spread our enthusiasm for these courageous women and their splendid music
    contribute to the variety of concert programming and thereby enrich the music world

    Read more about Our Vision!

    Our frauenkomponiert debut!





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